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Notable New Book Releases: February 16, 2021

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Cowboy Graves
By
Jason Jefferies

Notable New Book Releases for the Week of February 16, 2021:

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A new collection of three novellas by Roberto Bolaño, the author of 2666 and The Savage Detectives. These masterful stories span Bolaño's career and deal with alien ant farms, strangeness surrounding a solar eclipse, underground colonies of writers and poets, and much more. Cowboy Graves is translated by award-winning translator Natasha Wimmer. A recent interview with Natasha can be heard here on the Bookin' podcast.

From the publisher:

Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors," takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead.

These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

From the publisher:

Heather McGhee’s specialty is the American economy—and the mystery of why it so often fails the American public. From the financial crisis to rising student debt to collapsing public infrastructure, she found a common root problem: racism. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?

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McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm—the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country—from parks and pools to functioning schools—have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world’s advanced economies, has thwarted universal healthcare.

But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: gains that come when people come together across race, to accomplish what we simply can’t do on our own.

The Sum of Us is a brilliant analysis of how we arrived here: divided and self-destructing, materially rich but spiritually starved and vastly unequal. McGhee marshals economic and sociological research to paint an irrefutable story of racism’s costs, but at the heart of the book are the humble stories of people yearning to be part of a better America, including white supremacy’s collateral victims: white people themselves. With startling empathy, this heartfelt message from a Black woman to a multiracial America leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

Notable Paperback Release:

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A spooky, psychadelic story about an abandoned hotel on a strange island by one of our best young writers.

Marika McCoola from Porter Square Books in Boston says: “In this ghostly story of ignoring what’s right in front of you, a group of characters try to grapple with what seems like inevitable choices. Mandel’s book is like the glass in the title: her language glitters while offering clarity and reflection, and her characters are like broken shards, mesmerizing in one light and dangerously ordinary in another. Combining the humanity and structure of Station Eleven with the brutal realism of her earlier works, The Glass Hotel is an exceptional novel.”
An interview with Emily St. John Mandel can be heard here on the Bookin' podcast.
More of this week's new releases can be viewed here.

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