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Marshall Crenshaw and the Bottle Rockets

Categories: Music
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Pricing info: $20 to $35 / Day Of : $23.00

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“One of the fundamental things about the project was that I set out
to not make an album,” Marshall Crenshaw notes. “So I did this project, and now at the
end of it, there’s this album, for the album fans!….”

The celebrated singer-songwriter-guitarist-producer is discussing #392: The EP
Collection, his new CD on the Red River Entertainment label. The 14-track set collects a
dozen standout tracks drawn from the innovative series of six 10” vinyl EPs that
Crenshaw released between 2013 and 2015, plus a pair of never-before-heard rarities
chosen especially for this collection.
The EP series was the product of Crenshaw’s decision to break away from the standard
album/tour cycle by recording and releasing a steady stream of new music over an
extended period. The endeavor proved wildly popular with his fans, and brought in lots of
“I really did love the EP project, and I’m kind of sad that it’s over,” Crenshaw comments.
“I was looking for a different way of working that would keep me motivated; it was cool,
because it had a sense of urgency; there was always something that had just come out
and always something that was on the way. It was an inspiring way to work.”
#392: The EP Collection’s twelve studio recordings encompass six new Crenshaw
originals and six cover songs. The former group includes the bittersweet and beautiful
“Grab the Next Train,” the surging and howling “Move Now,” and the hypnotic and
atmospheric “Driving and Dreaming”, while the cover numbers include a reverent remake
of the Burt Bacharach/Hal David/Carpenters chestnut “Close to You,” James McMurtry’s
“Right Here Now,” longtime Crenshaw favorite Bobby Fuller’s classic “Never to Be
Forgotten” and vintage numbers by the Easybeats, the Move and the Lovin’ Spoonful.
Rounding out #392: The EP Collection are two previously unreleased tracks: a powerful
live version of the Everly Brothers classic “Man with Money,” recorded with Crenshaw’s
frequent touring partners the Bottle Rockets, during the week after Phil Everly’s passing,
and the infectious “Front Page News,” a ’90s recording of a previously-unheard original
that Crenshaw wrote with noted country tunesmith Leroy Preston (“I can’t remember
when I did it, or why, but I like it!”, says Crenshaw).
“I was fortunate to have lots of brilliant people helping me on these tracks, and they really
lifted the proceedings,” Crenshaw reports. “I’m proud about the range of super-excellent
musicians who came on board for these sessions.”

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