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Inter Arma

Categories: Music
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Pricing info: $10.00

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with Holy Mountain Top Removers
"The worst band from Richmond, VA...EVER."2006-2008:Multiple demos (one live, one studio and a Macrock festival version), local and regional shows.2009:"Sundown" CS (DIY), east coast tour w/Balaclava.2010:"Sundown" LP/CD (Forcefield/Mirror Universe) and split 7" w/BATTLEMASTER (Mirror Universe) released, east coast/midwest touring, full U.S. tour #1 w/Bastard Sapling.2011:More east coast/midwest touring.2012: "Destroyer" EP LP (Toxic Assets) released, Full U.S. tour #2.2013: "Sky Burial" 2xLP/CD (Relapse) and "Destroyer" EP CD (Gilead Media) released, full U.S./Mexico tour #3 w/Mutilation Rites, additional U.S. touring w/KEN Mode, Earthling, Woe and Black Tusk.2014: "The Cavern" LP/CD (Relapse) released, European tour #1 w/Windhand and Indian, Roadburn Festival, U.S. touring with Russian Circles, Ulcerate and KEN Mode. European tour #2 w/Mantar.2015: Sky Burial CS (Tartarus) released, full U.S tour #4 w/Yautja, Maryland Death Fest, additional U.S. touring with Kylesa, Indian Handcrafts and Set and Setting. INTER ARMAs music resists generalization and categorization, but if theres one thing thats consistently true, its that the VA quintet possesses an unparalleled sense of scope. Few artists today accurately convey the complexity that INTER ARMA (Latin for in times of war) does the band creates terrible and often hauntingly beautiful portraits of humanity through music that is deeply organic yet still mystical and modern. INTER ARMA are just as committed to the live circuit as they are to their records: the band has performed extensively throughout Europe and the US, sharing the stage with the likes of Kylesa, Baroness, Cough, Royal Thunder, Black Tusk, Ulcerate, Russian Circles, Windhand, and dozens of others. INTER ARMAs raw, uninhibited approach merges doom metal, psychedelic sludge, black metal, prog and more, and over the course of the last ten years, has established the band as a uniquely innovative force in contemporary extreme metal.Founded in Richmond in 2006, the versatile and genre-defying five-piece released their debut full-length Sundown via Forcefield Records in 2010, and like all great artists, had a well-defined sound right from the start. Sundown found INTER ARMA widespread critical acclaim, and, combined with the bands relentless touring schedule and DIY grit, quickly helped INTER ARMA make a name for themselves in the underground. Following Sundown, the band released the 12 EP Destroyer via Toxic Assets Records. That record was strong enough to catch the attention of Relapse Records, who signed INTER ARMA later in 2012, and in 2013, the band unleashed the monolithic Sky Burial, a doomy, hour-long excursion through unpredictable textures and timbres. Just two years later, the band followed Sky Burial with The Cavern, a 45+ minute, single-song EP. Originally written during the summer of 2009, then slowly reworked and perfected, The Cavern was recorded in 2013 during breaks from the bands non-stop tours. Both The Cavern and Sky Burial were widely hailed as some of the best records of their respective years and garnered INTER ARMA accolades from the likes of Pitchfork, NPR, Rolling Stone, and many other publications worldwide.Two years after The Cavern, INTER ARMA are poised to return with their heaviest and most multifaceted work to date. Paradise Gallows is more than an hour of lush, colorful melodies and textures blended with the heaviness of the earths impending death. Like the bands previous works, the new album Paradise Gallows is direct and foreboding while maintaining a nuanced, artful perspective. INTER ARMAs signature palette of dissonant high-end and abyssal low-end has been augmented with swathes of thick, impressionistic melody that lend Paradise Gallows a truly biblical sense of scale, both lyrically and in terms of the albums sonic content. Harsh and acoustic passages (including the bands first-ever foray into clean vocals) spar with complex rhythmic structures across nine sweeping tracks of expansive, progressive heaviness. The album was again recorded with Mikey Allred (Yautja, Hivelords) at Dark Art Audio in Nashville, and features gorgeous cover art by Orion Landau. Dense, funereal, and richly evocative, Paradise Gallows is a rich blend of doom, post-metal, sludge, and black and death metal, and is a singular and powerful new addition to the bands already monumental discography.

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The Pinhook
Thu, Mar 23 at 9pm

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